Analogue Film Review: Revolog Tesla BW
Revolog Tesla BW: Planning Shots with Built-In Randomness I wasn’t sure what to think when Analogue Wonderland…
Shooting Harman Red 125 in 120: A Fiery First Roll in London
A New Format, A Familiar Fire Harman Red 125 isn’t new — it’s been around in 35mm…
Spring in Soft Focus: Shooting Kodak Pro Image 100
Why this film? I was given a free roll of Kodak Pro Image 100 a couple of…
World Pinhole Photography Day in Oxford—with Alfie Cameras and Friends
What I Planned to Shoot vs What Actually Happened On 27th April 2025, I joined Tom Bob…
Top Tips for Shooting with a Pinhole Camera
Thinking About Shooting Pinhole? Read This First. Pinhole photography is beautifully simple — but that doesn’t mean…
Film Review—Washi E 120 black and white film
What made me try Washi E 120 black and white film? I had never heard of this…
Film Review—Fuji Neopan Acros II black and white film
Why I Picked Up Fuji Neopan Acros II On a bright September day, I visited Castle Farm,…
What Type of Film Stock is Right for You (or for Your Next Shoot)?
Choosing film can be a daunting task. With so many options available—different brands, styles, and characteristics—it’s easy…
Which Analogue Film Camera Matches Your Personality?
Choosing the right film camera can feel overwhelming. Let’s face it—film cameras are no longer cheap, and…
Film Review—FPP Svema Mz3
Why I Picked Up FPP Svema Mz3 film I recently had the opportunity to try out the…
