Editorial photograpy for DK’s The Fashion Book
Delivering high-impact retro ‘grunge’ visuals for teen brand book publication for Dorling Kindersley

The Brief

Editorial and product photography for the Fashion Book’s retro-grunge teen edition
DK, a global publisher known for highly illustrated books, needed editorial and product photos for The Fashion Book aimed at teens. Their requirements included fast turnaround times and strict adherence to technical and branding guidelines across multiple formats, as well as being suitable for reuse in their image library.
Photos of student designers and their creations, shot so they could later be edited in a ‘retro’ grunge style.
Product shots with specific requirements for easy post-processing, including cutting out backgrounds.
Fast, 24-hour image turnaround for weekly shoots.
Following the DK ‘look’ and ‘style’. DK needed photos shot in a consistent way in order to be able to manipulate the images easily in post for their layouts, especially as they used images from multiple sources.
The Approach
As the Creative Technical Support Manager at DK, I was approached for this project due to their limited budget and my experience with their technical needs.
01.
EXPERT INDUSTRY KNOWLEDGE
As the Creative Technical Support Manager at DK, I was already familiar with their stringent technical and branding requirements. They enlisted my expertise to deliver versatile editorial and product photos for The Fashion Book, ensuring the images met high standards for reuse and adaptability.

02.
PRE-PRODUCTION
DK briefed me on their vision for high-quality, adaptable images that could be used across various co-edition books and their image library. They required neutral shots that could be easily styled in post-production, including a retro grunge look. The approach involved capturing versatile images with Dutch angles and ample breathing space in the compositions to allow flexibility for different layouts. The aim was to present an authentic, real-world view of student designers while ensuring the photos met technical standards and could be creatively edited as needed.

03.
PRODUCTION
We shot the fashion students at The London College of Fashion. The location was filled with clutter, and I was asked to include this in the shots to keep the imagery grounded and real. Working closely with the designers, we captured both lifestyle shots and product images, with input from DK’s in-house team. For product photos, I used flash equipment and a grey card to ensure consistent lighting and sharpness for easy post-processing.

04.
POST-PRODUCTION
Images needed to be submitted within 24 hours, allowing DK’s design and editorial teams to mock up layouts. The final images were often manipulated by DK’s pre-press team, resulting in a composited, grunge-inspired look with shadows and filters applied to maintain the ‘Polaroid’ aesthetic they wanted.

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The Outcome
The project successfully provided DK with versatile, high-quality images that met their stringent technical and branding standards.
The photos captured at The London College of Fashion and in DK’s studios were designed to be adaptable for various co-edition books and their image library. By focusing on neutral, detailed shots and ensuring consistent lighting, the images were easily modifiable for different styles, including the retro grunge look, while maintaining a strong, authentic visual appeal.


I was asked to leave lots of “room” around my compositions to allow the designers to crop the images to fit their layouts later on, as at this stage they had no idea what size or shape they would need each image to be.


As they were going for a ‘young’ teenage style, I took images at slanted angles as well as straight horizon images.





I was often surprised at which images were chosen for the final spread—it wasn’t always the images I felt were best.




As a photographer, I found it hard to like the ‘crushed’ blacks and colour filters applied, but this was essential as they wanted a grungy vibe which was very trendy at the time.


You lose control over the composition and colours for editorial photos—ultimately the image has to ‘fit’ the page and the text.






Photoshoots were done on different days and it was important to get lighting and white balance consistent across all the shoots.
